About James

James Philip was born in Kingsbury in London and grew up in that long-lost age when as a four-year-old he was among the last generation of young boys in England whose father could take him to stand on a nearby railway bridge, at Wealdstone, so that he could peer over the smoke-blackened parapet as real steam locomotives chugged beneath.

‘The tang of steam coal mined in the South Wales valleys is a thing you never forget.  Okay, that makes me older than ideally, I would like to be.  Never mind.  My father was a civil servant and cricket writer and he often reminded me, and I still proudly maintain that by birth I retain my ‘Middlesex Qualification’ even though I was never, ever going to be good enough to play cricket anywhere near the hallowed turf of Lord’s Cricket Ground!’

‘Such is life.’

James and his wife have lived in Hampshire for many years.

‘I lived in London as a child and grew up in Surrey – solid commuter belt country, basically – until I married and moved away.  Wherever I go I look to its history.  When you are young one tends not to look to the past so much as when, later, you realise that life is not forever, I suppose.  Later you realise which old family, or church, or whatever, owned the land upon which you lived and that always alters one’s perspective of the past.  For me, anyway.  The Beaufort family – Margaret was the mother of Henry VII, which makes her more than a tad significant in English history – owned large tracts of land around Woking and the ruins of their fifteenth century ‘palace’ still stands in a field outside the town.’

‘I feel at home in Hampshire, especially living so close to Winchester; King Alfred’s Wessex capital.  One can see the Cathedral from afar; attempt to imagine the scene in the age when the whole treasury of England was kept in a big box in that church!  It makes one wonder what size box the current Chancellor keeps the nations IOUs in!’

James has been an author most of his life, initially following in his father’s footsteps publishing two cricketing biographies in the late 1980s.  Having spent years and years ‘almost getting published’ by any number of mainstream publishers he eventually gave up on agents and editors and the marketing mantras which governed the ‘old publishing empires’ and embraced the e-publishing revolution.

‘I confess I was a late convert to e-publishing.  After so many years trying to get noticed by the industry, I think I had got a bit institutionalised – with the perfect 20-20 vision of hindsight I was always far too respectful of the great publishing houses and the positively arcane opinions of their employees – and took a long time to come around to the idea that I could be again my own master.  And, actually, write exactly what I wanted to write!!!’

In his time, James has been a civil servant, an IT-guy (for years and years), forever an amateur historian, researcher, and by turns a technical author, copywriter, and ‘the bloke on the project who always got to draft the final report, bid or information sheet’ on anything he was ever involved in.

‘I think I had very nearly given up hope of ever getting my fiction read by the time I posted my first offering on the Amazon KDP platform.  I made lots of mistakes with that first book, and others afterwards.  To err is divine, allegedly…  And nothing is as obvious at the time as it is later!  I eventually got less afraid of the platform although I confess that I was not entirely surprised when nobody bought anything for ages.  That did not bother me at the time (2012-13), I just wanted to get my stuff out there.  I write for myself but I always hope to amuse, entertain and or spark my readers’ imagination; so, if nobody reads one’s stuff it is not really the optimal outcome any author is looking for.  Obviously, like most lifelong novelists I have a trove of truly dreadful manuscripts in my attic, at any rate those which have survived culls over the years, which will never, ever see the light of day, so my first book was not, by a long chalk, my first, that is, if you see what I mean.’

James’s first commercial success on Amazon KDP was UNTIL THE NIGHT, his 220,000-plus word saga about Bomber Command’s battles in the terrible winter of 1943-44.  It was a book inspired by family stories, many years in the writing, written just so that the story could ‘be told’ and not with any view to commercial or frankly, any other considerations.

‘It is a funny thing but no matter what people tell you, if you do not remain your own person as an author you do yourself, and more importantly, one’s readers a great disservice.  I was just pleased to have finished UNTIL THE NIGHT; I was pleased it was the best work I could do, and that it was finally out there.  When people started saying nice things about it and buying it in large numbers I was over the Moon – and incredulous, obviously – and frankly, I felt a little humble.’ 

It was the good reception to UNTIL THE NIGHT and subsequently, his TIMELINE 10/27/62 series which enabled James to become a full-time writer for the first time in his life.

‘I was still a jobbing IT-guy when my writing career grew wings and it was a big wrench telling friends, chums I’d worked with and known for years, that I was throwing away my screwdriver and software manuals to do the one thing I had always wanted to do seven days a week. Writing can be a lonely business; I am lucky because through writing I have got to work with lots of committed, talented people on projects associated with what I whimsically call my project. For example, I get a huge buzz working with skilled narrators like Melanie Fraser, Lesley Parkin, Andrew Calverley, Stephen M. Ray junior and others to produce audio versions of my books. Both my websites are the concepts and work of Tanya Jayne Park, without whom I would be anonymous on the web.’

James is currently working on his 56th and 57th – these days he says ‘it has all got a bit out of hand and I need a spreadsheet to keep track of all the titles published, and where I am with future projects’ – books for publication on Amazon KDP, and is presently collaborating with two audio producers on four more of his books to be made available on Audible.com later this year and next.

‘I was a tad baffled what to do when I discovered I was selling enough books to make a living out of writing.  It was then that I accepted I needed to be a lot more disciplined with it – the writing – and myself, that this was a once only opportunity and I needed to grasp it, respect it, with both hands! I love writing, but not so much the marketing side or any of the other stuff you suddenly have to think about when you start getting half-decent sales rankings.’

‘I always have a hatful of projects on the go at various stages from being proofed, being written, being scoped or planned, ideas in development, et cetera. For example, Timeline Book 13 (WARSAW CONCERTO) has just been released, Book 14 (EIGHT MILES HIGH) is safely ‘in the can’ awaiting publication on 27 October 2019, I am putting the finishing touches to the fifth NEW ENGLAND Series book GEORGE WASHINGTON’S GHOST for the spring of 2020, I am feeling my way into Timeline 15, WON’T GET FOOLED AGAIN (probably for publication in April 2020), and I am prepping a standalone Timeline story/novella THE HOUSE ON HAIGHT STREET for publication in December 2019.  In the meantime, I have the concepts for Timeline books 16 and 17 in my head, and general ideas about 18 to 20, and plans for a series of standalone stories and novellas set in the Timeline 10/27/62 universe. Basically, the wheel never stops turning. I also have Book 4 of the River Hall Chronicles series about two-thirds drafted (which I’ll now leave and come back to in early 2020 because I have too much else on at the moment!), and a couple of exploratory book research projects on the go – scoping and, I suppose, proof of concept exercises – which may see the light of day at some stage, or not.’

In 2016 James edited and re-published his late father’s – JAMES D. COLDHAM’S – cricket writings.

‘That was a big project in itself – two full-length books, eight monographs and a couple of weighty anthologies – but immensely satisfying. It was a thing I had always meant to get around to but – like so many things – I had never got around to it.’

All twelve books are available in e-book and as paperback format on Amazon.

‘Since then I’ve concentrated on the day job, moving forward with TIMELINE 10/27/62 and developing other projects, like the NEW ENGLAND books and the RIVER HALL CHRONICLES.  You always have to be thinking about the next project, or the next book, or whatever.’

James’s books revolve around his fascination with history and character-driven storytelling. He believes there is no secret to persuading a reader to turn the page of a book; one simply has to make it worth his or her while. A good yarn is a good yarn for any generation and James Philip tries hard never to forget it.

‘The funniest thing,’ he says ‘is that although I have been known to refer to what I do as ‘my little retirement project’ I have never, not ever, worked this hard in my whole life!’